When Pacino, off camera, asks him if he thinks Shakespeare helps us feel, the man declares soulfully, "He did more than help us: That was a remarkable turning point in my life. Next to Charlie, it sort of launched me.
The students empathize with the often scruffy and haggard-looking cast as they grapple with the text.
It is revealing that over eighty Al pacino meets shakespeare of footage was shot over four years for this project, and between the three film editors and Pacino, Looking for Richard was cut and shaped into the highly organized minute end product.
Pacino declares that he intends to communicate to the American public that Shakespeare "is about how we feel and how we think today. Veteran film critic Stanley Kauffman writes that the "fragmentary" technique of the film, rather than clarifying the plot and meaning of Richard III, leaves him feeling as if he has Al pacino meets shakespeare "showered with Shakespeare confetti"; although, he admits that it is the "confetti feeling that keeps the picture entertaining.
That same year, Pacino was nominated for an Academy Award for Best Actor after starring in Serpicobased on the true story of New York City policeman Frank Serpicowho went undercover to expose the corruption of fellow officers.
In fact, in Time magazine Richard Corliss criticized the film for being "naive" and "wildly self-indulgent," asserting that in approaching Looking for Richard, "You come Looking for Richard and Al pacino meets shakespeare Al.
Interpolated between and during play acts are sections focused on elements of performance and interpretation, such as "casting the actors," "getting in deeper," "the birthplace of shakespeare," and "iambic pentameter," but these clearly serve as footnotes and tutorials for Richard III.
Typical of documentary film, Pacino utilizes a hand-held camera a good deal and conducts man-on-the-street interviews, which are perhaps more reminiscent of the evening newscast than anything else.
Perhaps the symmetry of the scenes speak for itself, but it is worth pointing out that in taking the omniscient scholar down a few notches, Pacino again is effecting an equalizing of the disciples of Shakespeare.
DeMille Award in for lifetime achievement in motion pictures. This sterile academic environment is juxtaposed with the incredibly vibrant and sometimes even volatile interaction of the actors as they perform, argue about characterization, and revel in the sound of the language itself.
Heminge and Condell also warn that if you read Shakespeare and "do not like him, surely you are in some manifest danger, not to understand him," and it is precisely this problem Pacino sets out to remedy: But critics aside, my own students, who must serve as my guinea pigs, have responded overwhelmingly positively to the use of Looking for Richard in the classroom.
Pacino may be a great actor, but is he a good teacher? And Justice for Allwhich again saw Pacino lauded by critics for his wide range of acting abilities, and nominated for the Best Actor Oscar for a fourth time.
At this time Pacino returned to the stage. Meanwhile, however, the audience is also getting a more personal view of this traditionally taciturn star.
He aimed to become a baseball player and was also nicknamed "The Actor". We should introduce Shakespeare into our academics. He is all brooding menace and crocodile grimace, butchering his way to the top with unnervingly sinister glee.
I hate to ask the pedantic and obvious question, but is there such a beast? Pacino remarked on his hiatus from film: And Justice for All.
Despite his call for people to become involved in the "art" of Shakespeare, Pacino markets this film to the masses via some traditional Hollywood routes. It is clear that some students feel that the "Cliffs Notes" style of explication in Looking for Richard is condescending, while others find this sort of hypertext explication more effective and a lot more fun than the old yellow-and-black.
Mission accomplished for Pacino! The performance earned Pacino his second Emmy Award  for lead actor  and his fourth Golden Globe award.
However, not everyone agrees that this technique aids comprehension. Most notably, Looking for Richard has an astounding barrage of cameo appearances by big name celebrities.
In order to bring Shakespeare into the public arena, he takes his camera and microphone into the streets of New York City and asks random passers-by questions like "What do you think of Shakespeare?
Pacino boycotted the Academy Award ceremonyinsulted at being nominated for the Supporting Acting award, noting that he had more screen time than co-star and Best Actor winner Marlon Brando —who also boycotted the awards, but for unrelated reasons.
Many critics seem to think so.
Kramer —a role that Pacino had declined.Pacino, noted lover of Shakespeare, strives for a multi-dimensional characterization of the angry Shylock, underlining his sadness and indignation.
A lifelong fan of Shakespeare, Pacino directed and starred in Looking for Richard (), a documentary film about the play Richard III, a role which Pacino had earlier portrayed on-stage in "Al Pacino has played the mentor so many times, he ought to get a kingmaker's award.
Oct 06, · Al Pacino, who is 56 and has been a movie star for a quarter century, has a favorite story about acting.
It took place inthe year he'd come to stardom as Michael Corleone in ''The Godfather. Al Pacino Meets Shakespeare Essay Richard is al Pacino’s interpretation of Richard the third, as it explores the various context, values and ideas within Richard the third it attempts to reconnect a modern day audience with this ideas and values through a form of exploration and explanation.
Al Pacino Theatre Credits, Stage History and theater resume - Academy Award®. Tony Award®. Emmy Award®. Golden Globe Award®. A force to be reckoned with on both stage and screen, Al Pacino is. Oct 27, · Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be.Download